Metallic Watercolor: First Impressions, Swatch, and Review!

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One of my recent obsessions has been watercolor...specifically, watercolors from Prima Marketing. Their adorable packaging always draws me in, and lucky enough for them (ha), their product totally lives up to the hype!

You've seen me use their regular watercolors in the past, but this week I'm using their Metallic Watercolors. 

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The Metallic Accents set comes with 12 beautiful, shimmering metallic watercolors.

Photo by www.scrapbook.com

Photo by www.scrapbook.com

In order to see the colors in action, I suggest watching the video below, BUT, here are my key takeaways after testing this product.

-These watercolors are slightly gritty, but I imagine most, if not all, metallic watercolors are a bit gritty by nature due to glitter or shimmer added to the colors.
-These are pretty sheer, but buildable, and complete opacity can be achieved.
-Some of the colors are VERY similar to one another---the Copper and Red colors are almost identical.
-I've never used another metallic watercolor brand, so I cannot compare. Hopefully I can in the future!

Another product I was excited to test this week is the Pigma Brush Pen by Sakura. This pen is MY NEW JAM. 

What drew me in about the Pigma Brush pen is that it can be used on watercolor paper and the tip won't be damaged! The tip is also pretty darn flexible, which makes it the perfect 'medium' brush pen inbetween my favorites, the Fudenosuke Soft Tip and the Dual Brush Pen!

Have you tried Metallic Watercolors? Have you tried the Pigma Brush Pen? I'd love to know your thoughts on both...leave them in the comments below!

Tombow Techniques: 2 MORE Unique Effects

Tombow Techniques: 2 More Unique Effects!

Almost ONE year ago, I posted 3 unique effects I loved achieving using my collection of Tombow Dual Brush Pens. This simple blog post has since gone somewhat viral on Pinterest. I truly can't believe my eyes every time I log into Pinterest, seeing so many people pin this blog post to their "lettering tips" board.... especially since the original blog post was done so early into my lettering journey, thus the quality being very poor in comparison to where I am today.

So, I've done a little update of sorts! I re-shot two of the 3 techniques, simply giving them a more colorful and thorough re-fresh. I decided not to re-shoot one of the techniques because it doesn't fit my style at all now, and, I'll be honest...it wasn't a very good technique at all!

However, the two techniques below are SO FUN! Not much has changed as far as my love of using these techniques, but the new, improved photos are much more clear, helpful, and cheerful! So, please enjoy this refreshed blog post showing off Tombow's most popular pens! 

Let's jump in!

1. Speckling AKA: Confetti

Speckling, which looks a lot like Confetti, is done by placing tiny dots in concentrated areas of your letters. It works best when you layer a darker color dot on top of a lighter color. The only thing you have to be cautious of is staying inside the lines! Other than that, this technique is as easy as pie. 

Here are the colors I began with. From left to right they are: 026, 133, 452, & 533
Like I said above, this technique only really works if you begin by laying down the lighter of the two colors you've chosen. 

Next, using the fine tip end of the Dual Brush Pen, I start making my tiny dots. I prefer to work from the bottom-up, but you could definitely start from any side of the letter you want.

Another thing to remember is to choose two colors that are in the same color family, so they blend and mesh well!

This pretty pink shade is 815

This pretty pink shade is 815

This Kelly Green shade is 245

This Kelly Green shade is 245

This teal blue shade is 373

This teal blue shade is 373

This purply-magenta color is 685

This purply-magenta color is 685

2. Palette vs. Palette-less Blending

You know I'm a huge fan of using a plastic baggie with my Tombows, but I've also collected so many 'professional' blending palettes that I never have to waste a precious plastic baggie again! (And, full disclosure: my husband and I have stopped buying them as part of our mission to contribute LESS to landfills across the globe)

So, in this second technique, I'll briefly show you the difference between using a blending palette vs. not. Not all of us lettering artists have or need one, but it's nice to be aware of the differences!

Below, you can see I'm using the same shades as the first technique. And, also just like the first one, I prefer to begin with laying down the darker of the two colors. 

If you'll look at my blending palette, you can see a big ol' mess of color! That's because, in blending, there's a LOT of scribbling. Begin by laying down your darker shade onto the palette, then, with the brush tip of the lighter shade, scribble across it to pick up the darker color. But, in case you've never blended before, here's a MUCH better, more detailed explanation in this post.

The other blending technique doesn't involve a palette at all. In fact, all you do is rub your brush nibs together...which sounds REAL strange, but it works!

In the first step here, I am rubbing the teal and light green nibs together. I did a little scribble on the paper with the lighter green, but you can see how quickly the darker color faded away in comparison to the example used above. I don't love this method, if I'm being totally honest! I don't find that it always works 100% and it certainly doesn't have the same effect that palette blending does.

So there you have it!

As always, you'll want to experiment with the colors in your collection. For this palette-less blending process, a yellow color actually doesn't pick up much of a darker color (like a red or pink) at all. However, the yellow will pick up lots of the pink when you blend the old-fashioned way on a blending surface of some sort. Basically, you just never know how the colors will work together until you try it. Experimentation is the KEY to discovering your favorite lettering techniques, and of course, your very own style.

What are your favorite effects to achieve with your brush pens? Let me know in the comments below!

How to Make Traceable, Printable Worksheets Using ProCreate!

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Recently, in my private Facebook group, The Unexpected Letterers (you can request to join here), there was some discussion about how to create traceable, printable worksheets without using Adobe Illustrator. I thought this was an excellent discussion, because so many of my creative friends don't have the time or money to invest in programs like Illustrator or Photoshop.....but they do have an iPad Pro.

Because I create lots of worksheets (traceable and not) for my blog readers and students, I knew I could be of some help. So, in this week's blog post, I'm showing you how you can create a simple traceable printable using only Procreate and your Apple Pencil.

I highly suggest watching the video below, then coming back to read the extra information I've included on printing instructions, uploading to a website for download, etc. That's the important stuff that isn't so much fun to film ;)

This printable is a JPG and is sized to print on standard 8.5x11 copy paper. For tracing, print on a high-quality cardstock and use with the Tombow Fudenosuke Soft Tip Brush pen!

FULL INSTRUCTIONS:

1. Open a HIGH RESOLUTION canvas in Procreate.
*Your canvas must must MUST be at the highest resolution possible since we are not digitizing in a program afterward. I use the automatic screen size option Procreate gives me, and it works just fine.*

2. Create your worksheet or printable using whatever usual sketching / finalizing processes that work for you (you can see mine in the video). 

3. If creating a traceable worksheet, make sure all your content is in black, then bring the opacity of the traceable areas down to only 10%.

4. Export your finished printable or worksheet as a JPG, and save to your photos.

5. E-mail, text, Airdrop, or Dropbox the image to yourself/your computer for printing.

6. Print as usual. For a traceable sheet, print on a high-quality cardstock.

EXTRA NOTES on Creating, Uploading, and Printing your worksheets:

*Keep in mind the specific pen you want your worksheet to be used with. If you want to use a Tombow Dual Brush Pen, the size brush pen you use in Procreate matters. When printed, you want the strokes on the worksheet to match your strokes in real life! Do a test run with all the pens in your collection to figure out what size of brush pen you'll need to use in Procreate for future reference! (Hint: a Tombow Fudenosuke Soft Tip is a size 9 in the standard Procreate Brush Pen)

*If you want to give your worksheet away to your audience to download via blog post or email list, you want to provide clear instructions on how to download and what paper to use. If you have the proper programs, you can turn your printable into a PDF for your audience, but in my experience, a JPG (sized correctly) will print properly on a regular sheet of paper, and the file can also be uploaded back into Procreate for your audience to trace themselves within the program. 

*I would NOT recommend creating printables this way to sell as instant downloads. The resolution, while fine for leisurely tracing, is simply not good enough to sell. The average buyer of a worksheet like this will want to have lots of printing options that will all result in high-quality worksheet, and without Illustrator or Photoshop, this just isn't a possibility. 

Got any other questions? I would LOVE to answer them in the comments below so SHOOT! Will you be creating your first worksheet anytime soon? Would you like to see an Illustrator tutorial on this same topic? Let me know below...

How To: Draw A Simple Floral Wreath Using A Dual Brush Pen

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I love a simple floral wreath to accent any kind of lettering. It is one of the biggest trends in lettering and art right now, and I foresee it will remain a trend for years to come.

Don't know what I'm talking about? 

This!

Or this!

A simple wreath like this makes a big impact, and impresses EVERYONE. But also, it's one of the easiest looks to achieve if you have the right tools, and a few extra minutes!

Here's what you'll need!

  • Cardstock suitable for brush pens - I use this kind (You can buy single packs cheaper at Wal-Mart, if you have one near!)
  • A Dual Brush Pen or other brush pen in the color of your choice (I'm using DBT 312)
  • A small nib brush pen or fine liner (I'm using the Fude Soft Tip)
  • A pencil
  • An eraser

Now we're ready to get started in creating our leaf. Before we begin, I'll show you the basic shapes needed to create my version of a leaf wreath.

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This is the basic leaf shape. So simple right? 

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And this is the basic wreath shape....aka: a circle!

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The darker lines represent the sections I divide my wreath into. Each of these sections will 'host' 3-4 leaves. A large leaf and two small ones--possibly more if you need to fill in space.

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I like to draw the large leaf first, then add the two small leaves on either side of the line.

All my leaves go in the same direction, but you can switch that up if you want!
Once your leaves are drawn, it's time to sketch the quote inside.

Watch the video

Watercolor Halloween Jack-o-Lantern using Dual Brush Pens

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After my interview with Ciara of Pretty Strange Design for The Misses Ambitious Podcast (Episode #58), I was inspired to start creating more 'art for art's sake,' and things that are just for me to enjoy---not to post on social media or to sell in a shop. Even though I ended up making a YouTube video about the process, the purpose in creating the art is for me to do something I enjoy in celebration of a holiday I really love: Halloween.

If you've been following along with me for any amount of time, you know that I'm trying to improve my illustration and watercolor skills as a personal challenge. I've never been particularly good at watercolor, but I'm slightly okay at drawing. Most of the time, I find that I love my drawings, but I don't love them so much once I have to apply color....so that's what I'm working on these days: bringing pencil sketches to life with different mediums, my favorite being watercolor. 

Here are the tools I used: 

In the process of creating Mr. Pumpkin Guy, I made a HUGE mistake---I smudged some wet watercolor all over the page.

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If you watch the video for no other reason
than to see how I fix this mistake, it'll be worth it, I promise!

Cause it's magical.

Watch the video and see how I created Mr. Pumpkin Dude!

Did you enjoy this video? Are you an aspiring illustrator like me, or are you already a pro? I'd love to know any tips, video resources, or books you've used in your illustration and/or watercolor practice. Drop them in the comments below!

See you next Monday with a brand new video and blog post!

How To Add Dimensional Shadows to Your Lettering

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Recently, I have been trying not to neglect my Dual Brush Pens so much! I've got a beautiful collection of them in my office, and I'm not using them nearly enough.

SIDENOTE: This is how I store my most-used Tombows!

SIDENOTE: This is how I store my most-used Tombows!

In the spirit of paying lots of loving attention to my dual brush pens, I was playing around with how to add easy shadows to my lettering that goes beyond just adding a dark line. I wanted to add dimension, but I didn't want it to be difficult. 

And I came up with a little system that works for me, and, in my opinion, looks pretty good! 

All you need to create this look is...

Watch this short video tutorial on how I'm creating dimensional shadows to take my lettering up a notch or two!

What did you think about the video? Are you going to try this technique? Leave a comment below and tell me! I would love to hear from you!

4 Tricks for Better Brush Lettering with the Tombow Fudenosuke Soft Tip

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Hey y'all! Lately, I've been thinking video is a way more effective method of teaching you all my tips and tricks! So, that's what I decided to go with this week. 

Today, I'm sharing my Top 4 Tricks for better brush lettering (on the first try) with my all-time favorite pen, the Tombow Fudenosuke Soft Tip!

I encourage you to watch the video below, before scrolling down for a full list of supplies and some extra details on using these tricks effectively!

SUPPLIES:

1. Re-trace Directly On Top of Your Initial Pencil Sketch

This is one of my tried and true methods for getting my lettering to fit together like little puzzle pieces. Like I mention in the video, I've been lettering for two years....don't get discouraged if this trick doesn't work for you, or if you takes you a bit longer to develop the 'second sense' for letter/word placement. It is something that truly comes with time, experience, and lots of experimentation!

2. Save your more troublesome strokes for last!

I'm always shaky from too much coffee consumption! Therefore, I save my more difficult strokes (usually upstrokes or elaborate tails on my y's and g's), until last. But what really makes this a 'trick' is that I turn my paper completely sideways or upside down, where I can still pull my pen in a downward motion. However, even though I'm technically making a 'downstroke,' I apply minimum pressure with my pen so that my stroke looks like a totally normal upstroke. No one knows but me :)

3. Use a Fine Liner to clean up rough edges

If the second trick doesn't quite work for you, that's fine! This one will solve that. Use a fine liner pen like a Micron or a Tombow Mono Drawing Pen to clean up your rough edges. Take your time doing this, though! Any wrong moves, and everyone might figure out your secret!

4. Get yourself an artist grade eraser!

This one is a game changer! As you can see, I like to letter directly on top of my sketch, as opposed to using a lightbox...even though I still use one of those too. But, I'm able to get such a clean final product by using an artist grade eraser when I'm ready to get rid of those pencil marks. A regular eraser just doesn't do the trick quite like one that is meant for artists! Trust me on this one....I have an 'Eraser Round-Up' here you can refer to if you need some suggestions.

Ok, y'all! That's it for this week. Let me know in the comments if you have tried any of these tricks, and whether or not they work for you. Do you have some tricks of your own? I want to hear about that, too! 

How To: Watercolor Pumpkins (In 5 Simple Brushstrokes)

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How To: Watercolor Pumpkins (In 5 Simple Brushstrokes)

I'm really excited to show you this tutorial today, because it's so fitting for the season, and also....EASY AS PIE. PUMPKIN PIE. 

These watercolor pumpkins will blow your mind! Get ready to paint a million pumpkins today. It's addicting!

Let's get started.

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Here's what you'll need!

  • Watercolors (I'm using the Prima Decadent Pies Set, because they have a ton of great Fall colors. If you don't have a set like this, all you really need is an orange! I'm also going to mix up a blue, gray, and green to create a beautiful blue pumpkin later.
  • Watercolor Paper (I'm using The Hobby Lobby brand of cold-pressed paper cut down to 5x7 size.
  • A Large-ish Round Brush
  • A cup of water ---mine had already been used to practice some pumpkins so it looks gross! Oops!
  • A paper towel for blotting your brush if it gets too wet!
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I'm using a large round brush (I believe it's Size 12) for this tutorial. This is one of my favorite brushes ever--I think I picked it up at Michael's? Either way, I love this large size because I can get really thick, beautiful brush strokes...as you'll see, they totally bring the pumpkin to life. If you want to make daintier pumpkins, you can size down to a smaller brush, using the same brush strokes. The important thing to remember is that you will need to use a ROUND BRUSH to achieve these brush strokes.

As for the colors, I'm using the rusty-redish-orange color seen in my palette. It's the perfect pumpkin shade, which means no mixing for me, which I love. I've got my brush pretty saturated with water so I can get a lot of pigment from the orange color, which creates gorgeous textures.

You can see more about this in last week's How To: Watercolor 4 Fall Leaves.

Like I said, all you need to know are 5 brushstrokes to create a beautiful watercolor pumpkin. I'm going to show you those strokes....feel free to practice with a pen or pencil before you are ready to try with your brush.

We're starting from the left and moving right. The first stroke is a 'C' shape, just like this one.

The next stroke is similar to a C, but not as dramatic. The third stroke is basically a straight line.

For the last two strokes, you're going to do a mirror image of the first two.

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These are the five strokes you need to create a really beautiful watercolor pumpkin! Now, let's mush them closer together, and watch the magic happen!

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The only 'trick' when painting these shapes closer together is adding in some extra connections at the top and bottom to give your pumpkin a more 'painterly' look! Also, depending on how wet your brush is, your shapes might bleed into one another, and that is totally fine! In fact, I think it looks awesome that way! 

Don't be discouraged if your first pumpkin doesn't look great. That's what practice is for! Let's do another one...

For this pumpkin, I mixed up a grayish-bluish-greenish color. I just LOVE a dusty blue pumpkin in the fall, so I was extra excited about this one.

I used the exact same strokes to complete this pumpkin!

Let's paint another!

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This pumpkin looks a little different (because, not all pumpkins are the same). All I did for this pumpkin was to make it 'skinnier.' It is also more saturated with color, so it looks a little more 'artistic,' but that just gives it character!

One last pumpkin....

For this last pumpkin, I went back to the dusty blue and I got a little cray-cray with my strokes, just to show that you can be really loose and imperfect with your brushstrokes and still achieve a gorgeous pumpkin!

Finally, LET'S FINISH THESE BABIES!!!! 
Don't worry---finishing touches are just as easy as the pumpkins themselves.

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Grab a brown, and paint the pumpkin stems with literally one stroke!! Feel free to experiment with the way your stems look, like I did. You really can't go wrong with a stem.

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This last step is totally optional, but all you have to do is use the thin end of your round brush to paint these little green squiggles (what are these things called in real life?) coming out of your stem. 

AND YOU'RE LITERALLY DONE. 
MIND. BLOWING.

Seriously, I can't get over how easy these are. 
Are you going to try these pumpkins? Let me know how yours turn out in the comments below!

Also, let me know what else you want to see in a 'How To:' tutorial. 

How To: Watercolor 4 Fall Leaves!

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So, it's totally 90 degrees here in my neck of the woods, but it is officially fall, and I'm ITCHING to bust out the riding boots and scarves and cozy oversized sweaters...I'm also itching to get my first PSL of the season because, as a former employee of Starbucks, I can appreciate it, but it has to be enjoyed on the true definition of an Autumn day. 

90 degree weather ain't it. 

Never fear, though! I'm bringing fall foliage to ME no matter what. 
Today, I'm going to show you how to watercolor 4 different fall leaves.

The possibilities are endless for this project! Once you're a leaf pro (don't worry, by the end of this you totally will be), you can create SO MANY beautiful Fall prints to hang in your house or give as gifts....imagine it now: Watercolor Leaf Wreaths?! WATERCOLOR COFFEE CUPS WITH LEAVES SWIRLING AROUND? WHAT?! HOW CUTE.

BRB painting that right now.
Enough of me, let's get to the painting!

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Here's what I used:
Watercolors (Fall Colors..specifics listed below!)
1 Round Brush
Tombow Dual Brush Pens in Brown, Tan, or Red (whatever you've got in your collection)
If no Tombows, feel free to use black ink or saturated watercolors
1 Piece of Mixed Media or Watercolor Paper
Clean Water
Paper Towel
Ceramic Dish or Palette (Optional)

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I'll be using a medium size round brush (Size 6) for each leaf! My leaves are a medium-small size. If you want to make larger leaves, use a larger round brush...the instructions stay the same.

I'm pulling all my 'Fall colors' from two different watercolor palettes. On the left, I've got my favorite Winsor & Newton Watercolor Palette (Right now it's only $12 on Amazon), and on the right is my Decadent Pies Prima Set (On sale for $20).

Because I'm pulling from two palettes, I have a ceramic dish to hold my watercolors and serve as my palette for this tutorial. Totally not necessary, but I like making things as simple as pie for myself since I tend to get frustrated with watercolors really easily. 
I pulled a variety of oranges, pinks, reds, yellows, green, and a brown.

*If you're new to watercolor, and you're unsure of how to pull color from a palette onto a plate, here's how you do it: Using a wet brush, I dipped my brush in the pans and 'mushed it all around' until the brush was saturated in color. Then, I put the brush on the ceramic dish until the color was transferred. It's super easy!

Off to the side, have a clean bowl or mug of water and some paper towels for blotting your brush or absorbing extra color from the paper, if needed.

*For the entire tutorial, I'm keeping my brush pretty wet because that is how you achieve these really cool textures. So, keep that in mind!

Let's jump in!

1. Tulip Poplar

The Tulip Poplar leaf is the easiest of them all, because it requires only one color: brown. Dip into your brown, then make this wide U or half-circle shape.

Finish the outline by drawing these triangular shapes on top.

Fill in the outline, then, while the leaf shape is still wet, grab some more brown (this time, dry your brush a bit with paper towel, then grab the brown---it'll be more saturated this way), and dot the saturated brown paint into the wet leaf. The color will spread, creating those awesome watercolor textures. If you need to, get some clean water in your brush and dot that onto the leaf as well, creating more texture.

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This is the completed body of my leaf. We are going to add accents to it once it has dried! Until then, let's move to the next leaf.

2. Beech

For the beech leaf, I'm using 3 colors to bring it to life! First, I start with an ochre/yellow base. If you don't have a golden yellow, really any yellow will work.

Create a basic leaf shape.

While the base is still wet, dot some watery-brown and watery-green onto the leaf base and watch the colors spread! Only a hint of your yellow base should be visible. Add more yellow to some areas if you think it's necessary. This is all about playing with color....anything will look great because foliage is so unique!

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This is what my beech leaf looks like so far. Once again, we'll add accents once it dries. Let's move onto the next leaf until then!

3. Cinnamon Oak

I'm upping the intricacy with each leaf, so I've posted the photos in order (L-R), with the description below the entire set. Here we go!

Begin with a golden or ochre color. The leaf base here is fairly simple, but it is curved. Draw the outline, then fill it in with the same color. Next, grab some orange or red (whichever you have), and begin dotting the orange into the leaf base while it's still wet. The color will spread!
Next, still using the orange, begin drawing the 'bumps' on the edge. Once you've completed that step, make sure the orange is nice and blended---no harsh lines here, people! Add more golden or ochre if need be.

After that, dip into your green, and dot that into the leaf as well, adding bumps to the outside. You can continue adding brown and yellow and green until your leaf resembles beautiful Autumn foliage, bumpy and textured all the way around!

While that is drying, let's move to our final leaf, THEN we get to add accents and truly bring these leaves to life!

4. Sycamore

This is my personal favorite leaf! Once again, it's a bit intricate, but nothing you can't handle. You're a leaf painting pro at this point!

For this leaf, I'm starting with a red/pink base. Begin by making a basic leaf shape, with those funky wings off to the side. All three shapes should be overlapping, creating that familiar autumn leaf shape we all know and love! Fill in the shape with the red or pink color.

Next, grab some green and begin dotting it into the top and outside edges of each side of the leaf while the base is still wet. Add funky bumps and points to the outside (similar to the Beech leaf), feathering the color out to look really natural and organic. 

Here's a photo if you need a close, real-life look at the edges of the leaf.

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Next, dip into your orange and dot that color into the inside of the leaf, leaving a little space on the right hand side for some more ochre. Make sure everything is blending together by adding a tiny bit of water to your brush and gently mushing everything around if need be.

Finish by adding some gold/ochre to your leaf on the right hand side, and once again, make sure everything is blended! 

While that leaf is drying, let's move back to the top and finish off our leaves with accents!

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To add accents to each life, I'm using the bullet nib of my Tombow Dual Brush Pens. You can use black ink, acrylic paint, or really saturated watercolor. It's totally up to you, but this was easiest for me!

I'm starting with brown to accent my Tulip Poplar.

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Begin with a thin line through the middle, bringing it downward and outside the shape, creating the stem. I made my stem a little thicker at the bottom to resemble a real leaf. Your lines don't have to be perfect! Imperfection makes them look much more real in my opinion.

Finish by adding lines across the leaf, extending outward from the middle. Voila! You're done with this one.

To finish the beech leaf, I'm using a tan color. Begin the same way, drawing a line through the center, creating your stem, and then drawing the veins that extend outward from the middle. I kind of 'gently' let my lines get thinner and thinner until they disappeared. I like the effect this gave. I'm really pleased with how this one turned out!

For the Cinnamon Oak, I'm combining my brown and tan for the veins of the leaf. I began with brown, creating the middle vein, stem, and some of the veins extending outward. Then, I used the tan color to extend the veins to the outside edges, and add more in the center.

Finally, we're ready to complete our Sycamore leaf. I chose a red for this. I began with the stem, and then drew some lines extending outward, as seen above. And we're DONE!!

AREN'T YOU SO PROUD? YOU'RE AN OFFICIAL LEAF PRO!

Let me know if you're going to try this tutorial, and what you think of it when you do? Do you want to see more 'how to' posts like this? Whatever you're thinking or need to get off your chest---do it in the comments, y'all!

PROCESS VIDEO: Watercolor Galaxy Lettering Using Tombow Dual Brush Pens

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Y'all, I'm so excited to be bringing you a tutorial in a new form today----video!! It's so exciting, though I am a bit nervous for you to see it since I haven't done a YouTube Video in like 3 years.

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This week, I posted this photo on Instagram, and a lot of people were surprised to know that I used Tombow Dual Brush Pens (The NEW Galaxy Palette) to create this awesome watercolor piece.

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The new galaxy palette is stinkin' AMAZING. All the colors in this 10-piece set combine and blend together to make beautiful unicorn/galaxy hybrid color variations!

Check out my quick swatch picture below. I created this first thing just to have a 'key' when choosing what colors I wanted to pair together.

AND BTW: You can get all Dual Brush Pen 10 Packs 20% off if you use the code 'YAY20' on Tombow's Website. Don't miss out on this offer....it's only good September 22-26!

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Then, I decided...why not film myself re-creating the watercolor piece? In the video I not only use the markers in the galaxy palette to create watercolor lettering, but I use a few extra tools to bring the galaxy theme to life. 

Click play to watch the video, but refer back to this blog post for a full list of recommended materials, and written instructions.

Recommended Materials:
Copy Paper
A pencil
Tracing Pad (I use this one)
Watercolor or Mix Media Paper
Tombow Dual Brush Pen Galaxy Palette
A large round brush (I use size 12)
A small detail brush
A stiff brush for paint splattering
A cup of clean water
Paper towels on hand for blotting and drying brushes
White acrylic Paint
Gold Acrylic Paint
 

0:55 - Grab a piece of paper (any kind of your choosing) to sketch your design. Don't worry about this being perfect...you just need a good sketch to trace from.

0:55 - Grab a piece of paper (any kind of your choosing) to sketch your design. Don't worry about this being perfect...you just need a good sketch to trace from.

1:58: Place your sketch onto a tracing pad and line your watercolor or mix media paper on top of the sketch, where you want it to appear in the final result.

1:58: Place your sketch onto a tracing pad and line your watercolor or mix media paper on top of the sketch, where you want it to appear in the final result.

3:10: Begin scribbling your dual brush pen tips onto your blending surface---I'm using blending palette sheets from Tombow, but you could use alumnium foil, plastic baggies, or any other slick plastic surface. Dual Brush Pens are water-based, so they wipe off easily from a plastic surface with a damp paper towel. I'm using two sheets because I want to get multiple color variations going---I explain this in the video! Set the gray dual brush pen from the kit to the side, because we're going to save that one for later!

3:10: Begin scribbling your dual brush pen tips onto your blending surface---I'm using blending palette sheets from Tombow, but you could use alumnium foil, plastic baggies, or any other slick plastic surface. Dual Brush Pens are water-based, so they wipe off easily from a plastic surface with a damp paper towel. I'm using two sheets because I want to get multiple color variations going---I explain this in the video!

Set the gray dual brush pen from the kit to the side, because we're going to save that one for later!

3:55: To apply my watercolors to the paper, I'm using this Size 12 Round Brush. Have some clean water standing by!

3:55: To apply my watercolors to the paper, I'm using this Size 12 Round Brush. Have some clean water standing by!

4:05: With a lot of water in your brush, start dabbing it onto the palette and mixing two colors together at a time. This is how we will create the super pretty unicorn/galaxy color variations in our piece.

4:05: With a lot of water in your brush, start dabbing it onto the palette and mixing two colors together at a time. This is how we will create the super pretty unicorn/galaxy color variations in our piece.

4:54: Have at it! Start using your brush (filled with color and water) to bring life to your piece! I highly suggest watching this portion of the video to see how I'm dropping more color into the wet paint to bring texture and excitement to my letters.

4:54: Have at it! Start using your brush (filled with color and water) to bring life to your piece! I highly suggest watching this portion of the video to see how I'm dropping more color into the wet paint to bring texture and excitement to my letters.

8:50: Once you're done apatplying the watercolors, wait for them to dry and watch the magic happen as the watercolors start to form really cool textures.

8:50: Once you're done apatplying the watercolors, wait for them to dry and watch the magic happen as the watercolors start to form really cool textures.

9:07: Grab your two acrylic paints (gold and white), as well as two brushes (a small detail brush and a stiff brush of any kind), as well as a surface to put your acrylic paint on. I just used a folded sheet of scrap paper.

9:07: Grab your two acrylic paints (gold and white), as well as two brushes (a small detail brush and a stiff brush of any kind), as well as a surface to put your acrylic paint on. I just used a folded sheet of scrap paper.

9:42: Grab your stiff brush and dip it in a little water and a little of the white acrylic paint. Use your finger to splatter the white paint onto your paper, creating a star pattern.

9:42: Grab your stiff brush and dip it in a little water and a little of the white acrylic paint. Use your finger to splatter the white paint onto your paper, creating a star pattern.

9:49: Use your detail brush to apply larger white stars in areas where you think a beautiful, shining star should go!

9:49: Use your detail brush to apply larger white stars in areas where you think a beautiful, shining star should go!

10:11: Repeat the same process with the gold paint to give it more shine and dimension!

10:11: Repeat the same process with the gold paint to give it more shine and dimension!

10:42: Finally, use your gray pen to add shadows to the letters, finishing it off!

10:42: Finally, use your gray pen to add shadows to the letters, finishing it off!

So, I realize I don't go over the basics of using a brush to letter or doing watercolor lettering, so if that's something you'd like to see, please leave me a comment here in this blog post or on the video, and I will make it happen for you :) 

See ya next week!

Monoline Lettering On Glass! (Easy Lettering Tutorial)

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GET READY, Y'ALL. This tutorial is SO stinkin' easy I can't even contain myself. 
It's so easy because.......it's monoline lettering. 

For anyone that's new here (first of all, hey girl hey), monoline lettering is the easiest of all the lettering forms. Because it's literally just a prettier version of your own handwriting. No thickened downstrokes, no trying to use a brush pen, no embellishments...nope. None. Just writing.

Best of all, there's really nothing to completing this project except for some mad tracing skills, which I know we've all got!!!

Lastly, the finished result is so chic, so impressive looking, and such a statement piece. I posted a photo of this on my Instagram last week, and so many people were texting or messaging me, asking if I could do something similar for a wedding or bridal shower. So, this tutorial will really get you some commissions if that's your thing!

Are you ready to get started?

The materials you'll need are very minimal! 
-1 Piece of glass (size of your choice!) I am using a 9x12 piece from an old picture frame. 
-1 Pencil
-1 Sheet of Paper
-1 Brush Pen or Dark Ink Pen of Your Choice (You could use a black Sharpie)
-Sharpie Oil-Based Paint Pen in White (You could use either Medium or Fine Tip)

Begin by sketching your quote or design on a sheet of paper. 

Because I'm lettering on a large piece of glass, I'm using the entire sheet of paper. If you're lettering on a 5x7 or other size piece of glass, you'll want to trim your paper down to a size that fits your glass.

Maybe the best part about this tutorial is truly how crazy your pencil sketch can get! Look at that disaster! I'm pretty sure only I could ever understand what is supposed to go where...but hey, it's my process and it works for me! No one is going to see your pencil sketch except you, so don't fuss too much over it.

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Guess what? This part of the process doesn't have to be perfect either! YAY!
I traced my pencil sketch with my trust black Dual Brush Pen because I had every intention of doing 'faux-calligraphy.' As you know, I'm about to change my mind :)

You could absolutely use a regular black Sharpie for this portion of the tutorial if you are planning to do monoline lettering.

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Once you're happy with your design, place your paper beneath the sheet of glass and position your design where you want it to appear on the glass surface.

Begin tracing! So easy! 

My only suggestion here is to go S-L-O-W and take your sweet, sweet time. Even though you have to pump these pens to get the juices flowing, I actually didn't need to 're-juice' for the entire piece. Isn't that awesome?

And it is COMPLETE!

wHAt?1?1?!?! Yes. I said complete. Done. Finished. 
This baby is ready for a wedding, a picture frame, a gift bag... a store window! The possibilities are truly endless with this crazy easy DIY that will fool EVERYONE into thinking you're some sort of lettering-pinterest-guru-goddess. Which, maybe you are, idk?!

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I'll be putting this bad boy on my new bookshelf in my office. I'm currently redecorating my entire office, and I can't wait to show you the photos of where this guy is going when I am able to put all my decor in place! So exciting!

Step by Step Abstract Art Tutorial (EASY)

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Woo! I'm bursting at the seams to bring you this step-by-step easy-peasy-lemon-squeezy abstract painting tutorial! 

If you follow me on Instagram, you know I've recently become obsessed with the abstract art medium, and since I'm still a beginner, I wanted to share a beginner-level tutorial with you. Trust me, if I can do it, so can you!

What I'm loving most about acrylic paint right now is how stinkin' affordable it is. Acrylic paints only cost about 50 cents at most craft stores. Since I'm not selling these or really even giving them as gifts, I don't need to invest in anything more high quality at the moment. 

Want to get started? Me too! First, let's see what you'll need...

Ok, here's what I used:
-A paint palette (can use a paper plate or a large piece of cardboard, but I linked a similar palette to mine below)
-3 Types of Paintbrushes: A small round brush, a large flat brush, and a small angled flat brush
-Canson XL Oil & Acrylic Paper (I L-O-V-E this paper. It is a bit more expensive, depending on where you find it, but it's awesome. It's like canvas paper!)
-Washi tape or other removable tape
-A variety of acrylic paints. You could use whatever colors you please that complement one another!!
-Not pictured: a cup of water and some paper towels for washing brushes between colors.
 

You begin with a blank slate, which can be exciting and filled with opportunity or scary and filled with ways to mess up...it just depends on how you look at it! I choose to look at it the first way :) 

The canvas paper is taped down with some washi tape (or any easy removal tape) for two main reasons:
1. I like my paper to stay secure so I can really go crazy with my paint brush!
2. I love the clean lines I get when I peel the tape up. #satisfaction

As you can see, I also have my palette to the left of my paper. My palette is horribly messy, but oh well! The main colors I'm using are in the bottom 5 wells of the palette. The white and gold paints will be applied directly to the paper later in the tutorial.

I keep my cup of clean water beside me the whole time, but I did move it out of the frame to keep the light bright and airy for this post. So, please remember, I am completely cleaning my brush between switching colors. 

When cleaning my brush, all I do is swish it around in the cup of water until it comes clean. Once clean, I squeeze the brush tip with a paper towel until most of the water is out. It's a really fast process, and it 'ain't no thang' if your brush is a little damp. It actually helps the paint go on much more smoothly! 

STEP 1: Start with green (or the color equivalent of your choice). You will simply want to dip your brush in the green enough to cover about one quarter of the flat brush head. It's better to get too little than to get too much, as you can always add more, but you can't take away! 

STEP 2: Brush the green (or color equivalent) on in a triangle shape on the bottom left corner. Try to cover the same amount of area I did, obviously, scaled correctly to fit your paper size. (Remember, I used 9x12 size paper)

Have fun with your paint strokes. As you can see in the close-up, I'm not precise at all! I like a little rough brush stroke texture. It will most get covered up anyway!

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STEP 3: We're moving to the pink (or your color equivalent) next! Pick up about the same amount on your brush.

STEP 4: Do pretty much the same thing with the pink (or color equivalent) in the top right hand corner. Try to match my shape as much as you can, but once again...HAVE FUN! Don't stress.

STEP 5: This is where it really gets fun! Pick up the light blue color (or equivalent) and start brushing it on just to the right of the green. I didn't do a great job at photographing where the blue should go, but you can definitely make out where I placed it. 

As you're brushing it on, you wanting to overlap with the green to create this soft minty color. 

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Ultimately, you want the green and blue to be blended like so. Alternate between picking up more green on your brush, then picking up some blue until you get the consistency and look right (or similar). 

Remember the rule: Don't stress! This is abstract. It is fun! Don't be afraid to 'mess up.' Imperfections are what this kind of art so rewarding.

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STEP 6: After the green and blue is blended, you'll want to pick up quite a bit of gray (or color equivalent) on your brush.

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The gray color is going to cover up pretty much all the white space you have between your blue and pink. Brush it on freely, not trying to blend with any other colors, just filling in space and having fun!

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This is about what your painting should look like (or similar!). Everyone's painting style is different, and I think it's probably impossible to recreate anything exactly (even I can't match every brushstroke). Now, we're going to add accents that can cover any areas we may not be crazy about. 

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STEP 7: With the white paint, put little drops of white all across the gray area, as seen above.

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With your brush, simply swipe up and down, spreading the white dots out, creating white brush stroke-y areas across the gray section. Very technical stuff here, guys!

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STEP 8: With a smaller round brush, grab a decent amount of the navy color (or equivalent).

Place the navy paint in the un-blended edges where two colors meet, roughly in the areas seen above.

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STEP 9: Now, with the gold color, make dots of paint on the paper as I did above. You'll need more paint for a smaller area, because the gold paint is quite sheer, and we want it to be a bit more opaque!

Side note: I'm using an angled flat brush for the gold paint. You don't have to use the exact same type of brush, but it really does help achieve the look I'm going for in this tutorial.

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Use the angled flat brush to spread the gold out into an even, opaque layer. Do your best to feather it out at the edges, if possible!

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Here's a closer look at how I'm spreading the gold paint out into a completely even later. All the streaks of thick paint will be gone by the time I'm done with this step. As you can see, I also decided to add a little extra splotch of gold in the upper left hand corner. Basically, add gold where you think it needs to go to be a balanced look!

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STEP 10: Pick up some white paint on the same brush

Use this brush to make these rectangular-like dots of paint in various lengths. You can add these dots wherever you think they're needed! 

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I added the dot pattern in the two corners, and in a portion of the gray section, which is only barely visible. I like that the pattern is subtle in some areas, and really sticks out in others!

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STEP 11: PEEL THAT TAPE, GURL! You don't have to wait until it's dry to peel the tape up....who has the patience for that anyway?!

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I am currently in the process of redecorating my office (so excited to blog about the process!), so all my walls are bare. I threw this painting in a frame and quickly hung it on my wall for a temporary photoshoot! My cat is having a great time posing in front of the camera!! 

I want to know! Are you going to try this step-by-step tutorial for yourself? Are you into this abstract style? Where do you want to hang your painting? Let me know it ALL in the comments.

Tie Dye Lettering Technique from 'Lettering With Purpose'

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Tie Dye Lettering Technique from Lettering With Purpose | Kiley in Kentucky

Hey y'all!!! I have the MOST FUN lettering tutorial for you today. This tie-dye inspired lettering tutorial came straight out of my new favorite lettering book, Lettering With Purpose, written and illustrated by my girl, Brittany Luiz!

(That is cinnamon in my coffee, BTW!)

(That is cinnamon in my coffee, BTW!)

Ever since this book arrived at my doorstep, I've been so excited to curl up with a cup of coffee, my favorite brush pen, and mark all the tutorials and pages that inspire me most. Today's tutorial is the first one that caught my eye, and I just had to share it with you!

P.S. I got permission from Brittany to share this tutorial with y'all! Please let this blog post be an indicator of how truly amazing and info-packed this book is. All of this came from ONE PAGE.

OK, I'm sure you're like "get to it, woman!" so let's get started.

Here's what you'll need for this tutorial:

  • A pencil
  • 1 Sheet of Copy Paper
  • Black Dual Brush Pen or Other Black Brush Pen
  • 1 Sheet of Watercolor, Mixed Media Paper, or Other Heavy Cardstock
  • 1 Black Permanent Marker
  • 2 Dual Brush Pens in the 'Tie-Dye' Colors of your choice
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Begin by sketching your design out on a piece of regular copy paper with a pencil. Don't worry too much about making the sketch perfect! As you can see, I definitely didn't!

Next, trace your pencil sketch with whatever pen you want to use! I am using a large brush pen to create thick lines, and then tracing over the downstrokes again to make them even thicker. 

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This is my final tracing with extra thick downstrokes! One of the best parts about this tutorial is....NO ERASING PENCIL MARKS!

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Take your traced sketch to a light box! I'm using the Cricut Bright Pad (I did a more comprehensive review and tutorial about this awesome device here). If you don't have a light box, no problem!!! You could easily hold your traced sketch up to a bright window and trace that way :) I've done it multiple times.

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Ok, so here's the thing! You HAVE to use a permanent marker for this step!! I mistakenly used the fine point nib of my Dual Brush Pen for this step and it just messed everything up...you'll see why in a moment. But, don't be like me. Please read tutorials correctly and use a permanent marker! 

Anywho! You want to outline your tracing with a permanent ink on a heavy-duty cardstock or a paper designed to hold water (such as: watercolor or mixed media paper). 

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This is what my outline looked like! It is not perfect by any means but the final result looks great, nonetheless.

Next, you'll want to choose two colors for the 'tie dye' part. It is best to choose two colors that are similar and could be mixed together really well, but not too similar that you couldn't tell the difference between them when they are blended. Make sense?
Other great combos would be: yellow and green, pink and purple, yellow and orange, pink and orange, blue and yellow.

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This is such a fun step! Next, take each of your colors and 'scribble' them in random shapes and patterns across your letters. You don't have to be careful! I certainly wasn't....that stuff got everywhere. But I loved doing it!

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For this step, I think you'll definitely want to use a waterbrush, BUT a paintbrush and some water could also work. All you need to do here is blend the colors together using your waterbrush until the colors resemble a blended, tie dye type of texture.

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And Voila! You're done!! How easy was that? 

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I for real can't get over how great this looks. Even all the messy areas where I clearly got out of the lines look really great, and help emphasize the tie-dye look!

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You can check out Brittany's website here, where you can also read her awesome blog, buy her practice sheets, and follow her around on the internet!

Walnut Hollow Ball Jar Acrylic Painting Tutorial

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I was SO excited to receive this mason jar-shaped wooden piece from Walnut Hollow in the mail!

It took me little to no time to decide what I'd be doing with this beautiful piece....my husband and I already have a bit of a Ball Jar theme happening in our kitchen. Our last name is 'Bennett,' so my imagination was soaring....a 'Bennett' Jar for the kitchen!

The materials I used for this craft are:
-Mason Jar Shape from Walnut Hollow
-A pencil
-An Eraser (I didn't need one in the end, but it's good to have one just in case)
-A cup of water and a paper towel (not pictured) for cleaning brushes
-A white paint pen (I used a Sharpie Oil-Based Paint Pen in a Medium Tip and a Fine Tip)
-One large flat acrylic paint brush
-Acrylic Paint in various brands in the above shades of blue, gray and white! You don't have to match these exact colors. I picked them because they were the closest Ball Jar type colors I already had in my collection.

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I began by putting some paint down on my (very used) palette. I am obsessed with my palette, which is why I use it all the time and it is absolutely covered in paint! Sorry not sorry it's not that appealing (but it is a-peeling...see what I did there?) to look at!

I used a quarter-size amount for the lightest blue shade, because that is what I will use the most of. The rest of the paints are going to be used just to accent, so feel free to put even smaller amounts on your palette.

The first thing I did was start brushing on the lightest blue shade. I made sure to do a thin coat because I wanted the natural grain of the wood piece to show through. Perfection is not the goal for this DIY!

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Once I had a section of light blue painted on, I added just a little of the darker blue to add some dimension. The darker blue shade should be brushed on really loosely, creating some very rustic-looking streaks of darker blue.

This is what it looks like once you complete your coat of light blue with darker blue dimension.

I toyed with what to do for the edge, but I decided to paint it in the same manner!

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Now for the lid! You could absolutely paint the lid the same as the body of the jar if you don't have a gray in your collection. But if you do, I suggest mixing the darker and lighter grays right on your paintbrush. This will help with adding dimension to the lid!

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Begin brushing it on by swiping left to right. You want the 'grain' of this paint to be horizontal, where as the body of the jar is vertical. 

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This is what the lid looks like once completed!

Next, I added some white paint for shiny accent to the jar. When starting this step, be really conservative with the amount of paint pick up on your brush. You can always add more later if you don't have enough shine.

I added the white highlights to the outer edges of the jar, and a little to the lid.

This is what it looks like once the highlights have been added! 

Next, I used a regular No. 2 pencil to sketch out my design. I am lucky that my last name starts with a 'B,' so I could use the actual Ball Jar logo as inspiration! 

Don't worry too much with the sketching step. Go over it as many times as you need, just remember to sketch lightly!

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Once you're happy with your sketch, break out the paint pen! I did a very light coat of paint on my lettering first, because I wasn't sure how it was going to look. I began by using the medium point pen.

*You could totally use white paint and a tapered brush for this part, but I never have great luck that way. I am much more comfortable with a paint pen and the precision that provides. Ultimately, do what's best for you!

I went over my lettering a total of 3 times with the paint pen. I was surprised to see that I covered up all pencil marks, and had no need for the eraser! However, I suggest keeping one handy just in case. But remember, do NOT start erasing until your lettering has completely dried!

Once my white paint pen lettering had dried, I felt it needed a little something to make it pop! So, I mixed up a little of this blue-gray color to use as shading for the letters.

I had to dig out a really teeny detail brush to add the shading, but you could use any paint brush with a tapered tip!

I love this part because you don't have to precise! I brushed my shading color on really loosely and it looked great.

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Finally, this is the finished product! I can't decide if my shading is too dark, or if I'm just really critical. Either way, I am really stinkin' happy with how this turned out. This project is really out of the ordinary for me, and such a fun way to shake up my normal arts and crafts routine. 

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Where on earth will I put this? I'm sure it's going to end up in my kitchen, but for now, I'm keeping it on a bookshelf in my office because it's so stinkin' adorable!!!

What do you think? Tell me in the comments below if you'd like to see more projects like this!

My Favorite Art (Lettering + Illustration) Tools

My love of lettering has translated into a growing love of illustration and watercolor, where I can add in my lettering as a fun detail!
These are my latest and greatest favorites for lettering, watercolor, and illustrating! Have fun checking out this list, and let me know what your favorites are in the comments below!

Tombow Dual Brush Pens:
These seem to be the Holy Grail pen in brush calligraphy circles....and for good reason! They are a quality product at an affordable rate (affordable, BTW, is relative to other art supplies) and they come in a wonderful variety of colors. 

 

Winsor & Newton Travel set - Watercolor
This is an amazing product for any artist who uses watercolor paints, on the go or at home in your creative space! They are a bit pricier for the 'size' in comparison to other watercolor sets, but the quality is incredible, and the teeny-tiny dainty brush that comes with it is a super high quality brush that I can't seem to put down!

Tombow TwinTone Dual-Tip Markers
These are my new obsession! They look like CANDY, but they're also so much fun to play with. I just did a fun tutorial on a lettering technique using these markers. Check it out here!

These Ah-Mazing MONO Drawing Pens

As I dive deeper into my 'illustration' exploration journey, I'm finding that I love the look of watercolor + ink. These pens are comparable to Microns, but I like them even better! You can see a full review of them here.

Leave a comment and let me know which one of these tools you're using and loving, or which ones you can't wait to run out and purchase!

 

Want to know how I photographed my work for this blog post? My new online course just launched where I explain it ALL! Check out the course here.

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Colorful Lettering With Cricut Bright Pad and Tombow TwinTone Markers

I'm so excited to bring y'all this extra colorful lettering tutorial today! Today's blog post is made possible by Cricut and Tombow. As you all know, I am a brand ambassador for Tombow USA, and I received the TwinTone Markers and the brand new Cricut Bright Pad as part of my ambassadorship! HUGE shoutout to these two amazing companies for being so generous with their products. 
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As you all know, I love brush lettering. It is my go-to form of lettering and what I find easiest. However, that doesn't mean I don't dabble in other styles. To be honest, I don't show much of that here because my perfectionist nature gets in the way!

But today, I'm embracing my messy side, and pushing perfection far, far away. In this tutorial, you are encouraged to scribble, encouraged to make crooked lines, and invited to say YES to the MESS. Here we go!

Here's what I used:

-Cricut Bright Pad
-TwinTone Marker Sets in Both Bright and Pastel
-Mono Drawing Pen in 03
-A Pencil
-Two Sheets of Paper
-Any brush pen of your choice

I have always loved the lettering style of Caroline Kelso Zook of Made Vibrant. Today's lettering tutorial is heavily influenced by her colorful, vibrant, messy aesthetic.
However, I found it difficult to simply start from scratch and create something in this particular aesthetic. My lettering is pretty clean and simple, so I needed somewhere to start. I began by choosing a lettering piece I'd created for Instagram, and decided I could 'dress it down' with this technique.

I placed my lettered piece on the BrightPad, and placed another sheet of paper on top. Both papers are a heavy-weight cardstock. I tried using regular copy paper with this tutorial and found it wasn't quite sturdy enough to handle the 'scribbling process.' You'll see what I mean later!

You could begin by using a pencil to trace the outline of each letter like so...

Or you could take your markers straight to the paper and not have to do any erasing! This is what I did for the remainder of the tracing.

Theoretically, I could complete this tutorial with any colored brush pen or even a permanent marker! However, I'm opting to use the new Tombow USA TwinTone Markers because the colors are absolutely like CANDY.

The markers are dual-ended, with one large nib, and one extremely dainty nib.

Here's where the scribbling comes in. I love the look of leaving little white spaces everywhere to give the lettering more character and quirk. Scribbling color onto each letter is the perfect way to achieve this look. Don't worry about getting outside the lines, because it just adds more character!

Next, I pulled out one of my MONO Drawing Pens in 03 nib size. I did a review of these pens here!

I used this pen to outline the letters. This part is also really fun because it doesn't have to be perfect. In fact, I think it should be far from perfect!

And you can tell 'farm from perfect' is what I got here, because I didn't even outline one of my 'g's for some strange reason!!! What was I thinking?

That's it, y'all! That is my tutorial for extra messy, imperfect, BOLD lettering that pops. This little piece is ready for a frame or a corkboard right where I can see it in my office!

Have you tried any of these products yet? If so, let me know which one(s) in the comments below! I would LOVE to talk shop with you!

Talk soon, y'all!

 

The One Question I Get the Most | FREE Flat Lay Ebook

Free Ebook on Intro to Flay Lay Photography with iPhone by Kiley in Kentucky

Hey y'all! Today on the blog, we're getting down to biz-niss.

I get asked a LOT of questions, which is totally fine by me. Most of the time, I'm asking you to ask me questions. So it's all good. 

The reason I do this is so I can give you the best, most informative content I possibly can. It's incredibly helpful to me when y'all ask me questions because it helps me know:

  • What's on your mind
  • What problems you're facing with your lettering
  • What I can do to help you

For at least a year now, there's one question I've been getting consistently.

What is your process for taking photos? (Of your lettering, for your blog, etc)

I love this question because I also had the same question about 2 years ago when I began lettering. I was struggling to take a decent photo of my work to save my life!! They were AWFUL... here's proof.

TO BE FAIR: my lettering style hadn't yet blossomed, and I had not yet heard of the brush pen. But, still, these photos are pretty sub-par. 

Even when I discovered the brush pen a few months later, and my lettering suddenly improved by 109328% (seriously, I was made for the brush pen), my photos weren't great.

I mean, what is that blush-colored tracing paper?! And that chartreuse tape? It's actually butter yellow in real life, and blush tracing paper doesn't exist (though I totally wish it did). My photo skills were way off, y'all. And that's fine.

Well, it wasn't totally fine. When I was working to get my lettering business off the ground, it truly didn't matter how good my content was, how amazing my logo was, or how fancy my lettering was. If my pictures didn't reflect the high-quality information and/or product I was capable of giving them, I was doomed. My audience wasn't growing, my blog views were few and far between, and my Etsy views were stagnant, y'all. #twasnotgood

Honestly, I wish I could say there was a magical quick fix. I wish I could say "then I discovered this course" or "this blog post that changed everything!" 

But I can't! There was no course or blog post. There was only months of trial and error and experimenting with how to take photos that represent my voice, my brand, my products, and my knowledge. It was a struggle, but there is good news. Such good news.

It happened!

I did it all with my iPhone and a few iPhone editing apps. 

Now my social media, my website, and my Etsy Shop (when it was still open!) were full of photos that reflected the TRUE look, feel, and personality of my work! And I did it all without a fancy DSLR camera. 

You might be thinking "I don't have an iPhone."

That's fine! I am using the word iPhone because that is what I have, and have always had. I do not know about other smartphones. However, if you have a newer model of a smartphone, with a decent camera, and have in-phone editing apps available to download in your phone's store, you are good to go. The ebook is mostly about setting up the photo and using natural light...not about how to actually use an iPhone camera.

I've also honed in on my flat lay iPhone photography skills and been able to take almost all of the flat lay photos for the podcast I co-host with my business bestie, Misses Ambitious.

If you think that photo looks like it came from a device other than my iPhone 6, you're wrong! 

So, what did I learn after months and months of trial and error and testing different editing apps, figuring out the secrets of the iPhone, and mastering the hunt for the perfect natural light?

Well, I'll tell you! Soon.
Because I want to be 100% open with y'all, I want you to know that I'm working on the BEST, most info-packed course on iPhone photography right now. But until that's ready to go, I wanted to give you a FREE guide on flat lay photography. 

This 7 page e-book is full of tips and tricks I use for taking better photos, and examples that highlight how you can up your photo game as well! 

What's even better about this e-book (AND what will be amazing about this course) is that I am working with a professional photographer to guarantee the information I am giving you is correct. I'm not making up any fancy terms here---I've learned them from a pro. And this pro approves of this e-book!

To get access to the e-book, simply click this box and sign up for my mailing list, where you'll get even more iPhone photography tips and updates on my upcoming course! Once you're signed up, you'll get full access to this free guide, and I know you're going to love it.

I am so excited to share this awesome news with y'all, if for no other reason than to talk about something I'm oddly passionate about: iPhone photography. 

It's just one of those things that makes sense for us online business owners who are already doing it all. We don't necessarily have the time to learn REAL photography, not do we have the finances. Most of us have a smart phone, though. And that is why this course will be so freakin' amazing. 

If you have any questions about the upcoming course or the e-book, please leave them in the comments or contact me directly here. I can't wait to connect with y'all, and show you what I've been working on!

Online Learning with Skillshare: iPad Lettering, Watercolor, and An Awesome Offer For You!

SKILLSHARE Learning Watercolor Ipad Lettering with Kiley in Kentucky

I’m so excited to partner with Skillshare on bringing you this really special post! Please stick around until the end when I have a really great offer for y’all, thanks to Skillshare!

At the time I was first introduced to Skillshare back in early 2015, I was learning about and teaching myself graphic design. Skillshare was an excellent online resource for helping me along in my quest to conquer Adobe Illustrator and Photoshop. I will never forget how valuable those classes were to me in the beginning of my creative career! Not to mention, they totally sparked my interest in teaching online courses.

If you haven't heard of this amazing learning platform, it is what I would consider the BEST and largest database of online classes out there. For as little as $15 a month, you have COMPLETE access to over 16,000 classes that cover creative, business, technology, and lifestyle topics. Everything from illustration and lettering, to film production and accounting. 

Skillshare was actually one of the first online resources that introduced me to the world of brush lettering! Before I even purchased my first brush pen, I had watched ALL the brush lettering classes possible on Skillshare. 

That's why I'm so excited to give you a review of 3 classes I took on Skillshare this month, and to offer you the craziest deal ever: two FREE months of Skillshare Premium, so you can see what the fuss is about for yourself!

1. Sketchbook Practice - Bring Watercolor to Life with Simple Line Drawing by Ohn Mar Win

This class jumped out at me because I have really been loving my watercolors lately, and also because I just received the new Tombow Mono Drawing Pens, and have been searching for new ideas on how those two can work together. This class was the PERFECT inspiration for creating fruits, vegetables, and florals that I could see myself turning into a pattern, a print for the kitchen, or even a tech wallpaper. This class is not for the beginning watercolor artist (although there are PLENTY of beginner watercolor classes on Skillshare). This class is simply to show you how you can use black ink to dress up your watercolor illustrations. Ohn Mar Win has the most relaxing voice, and was an excellent instructor, and I learned so much in this short class. 

Here is what I created after Win's 35 minute Skillshare class:

In this class, Win instructs how to paint each object, and how to use an ink pen, step-by-step, to draw the inky details. I am so proud of how my project turned out! Also, my husband, an artist, himself, noticed this page in my sketchbook and was truly impressed. Score!

2. Intro to iPad Lettering by Teela Cunningham

I’ve been subscribed to Teela’s youtube channel where I've followed her Adobe Illustrator tutorials religiously for at least 1.5 years. I already know she's an amazing teacher, so when I saw that she offers classes on Skillshare, I was like “HECK YES!” Before this class, I didn’t consider myself a beginner at iPad Lettering...but after---I realized I totally am. Teela introduced me to many aspects of Procreate and iPad Lettering that I didn’t previously know, which I consider a huge success.

This class was much longer than the first one, totaling an hour and twenty minutes. Though that seems like a long time, Teela really makes it fly by (especially if you speed it up 1.25x--an option Skillshare offers), and she packs so much good information in that time span.

Teela’s class includes ‘class projects,’ which is an awesome feature on Skillshare. In her class, she uses three lettering guides that students are encouraged to download (very easy process) to use as they follow along in the class. Not only are the lettering guides great for her class, but you have them forever! Pretty cool, if I do say so!

Here's what I created after taking Teela's class:

Teela taught me how to use a glitter texture (also a free download in the class) to create this glitter lettering! Totally easy and very impressive!

3. Expressive Little Faces: Proportions, Painting, Personality by Amarilys Henderson

If you didn't know already, in addition to watercolors, I've been working on my illustration skills. It is my MISSION to conquer character illustration. I jumped at the opportunity to take this class by the extremely talented Amarilys Henderson. 

In this class, she goes through the basics of creating a face: the hardest part of illustrating people! She walks you through how to capture the nuances and emotions and defining characteristics of various facial types and ethnicities. I was truly impressed at how easy she makes it all look, and shocked to find I wasn't as horrible at it as I had anticipated.

Here are some photos of my facial feature practice:

I absolutely adore Henderson's loose, cartoon-y illustration style, but if realism is more your thing, don't worry...there's a class for that, too!

Still not convinced?

There are over 300 classes on lettering, alone, on Skillshare.
There are almost 400 classes on watercolor.
Over 1700 classes on illustration. 
900 classes that cover Adobe Illustrator. 

Are you kidding?! Where else can you get all those classes for less than I probably spend on coffee in one week. (Yes, I'm a little ashamed to admit that, but whatever!)

If you want to branch out of your comfort zone and learn new mediums and new methods of art, you NEED to get over to Skillshare right now. And if you're just getting started in your creative business, and you want to hone in on your skills or learn important business lessons from established biz owners, you need to get over to Skillshare right now!

Skillshare is helping me offer you two FREE months of Skillshare so you can try it out for yourself and get totally hooked. 

First Impressions: The New Mono Drawing Pens by Tombow USA

Tombow Mono Drawing Pen Review by Kiley in Kentucky

I always love getting packages from Tombow USA! As a brand ambassador, I am so LUCKY and #thankful to get the chance to try their newest products, and review them here on my blog, and this package was no different!

This past week, they rolled out their newest product, The Mono Drawing Pens. To say I was PUMPED would be an understatement. I've been exploring other mediums besides ink lately (you can see a taste of that here), and I knew these pens would be a fabulous addition to that medium. But more on that in a future blog post...here's my first impression on the Mono Drawing Pens!

Tombow USA Mono Drawing Pen Review by Kiley in Kentucky

The pens come in a pack of 3, with various nib variations that can all serve a unique purpose. The nib sizes are 01, 03, and 05. 01 is a teeny-tiny little bib and 05 is the largest of the three. 

This pack of pens is comparable to Microns in both feel and price-point (depending where you buy them), but after a week of playing with the Tombow Mono Drawing pens, I'm definitely a fan!

Here's why!

Tombow USA Mono Drawing Pen Review by Kiley in Kentucky

The 01 Nib is my hands-down favorite! I've reached for this one the most to add details to the watercolor drawings and Dual Brush Pen doodles I like to do for fun.

Here's an example of a watercolor doodle that absolutely 'popped' after I added outlines with the 01 Mono Drawing Pen.

All in all, I say the 01 is my personal favorite pen because, as I get more into watercolor and illustration, I find that I love the delicate black lines I get from the 01 nib!

Tombow USA Mono Drawing Pen Review by Kiley in Kentucky

The 03 nib is the medium size, and I think it's most useful in lettering! The lines are a bit thicker than the 01, but not quite as bulky as the 05. This nib would be PERFECT for faux calligraphy, which I'm going to show you in a future blog post. I will link it here when it's posted!

Tombow USA Mono Drawing Pen Review by Kiley in Kentucky

Finally, the 05 nib is absolutely the best for drawing! I'm not much of a black ink artist, but I can totally see myself getting into it with this thick nib! This nib will be excellent in filling in areas of faux calligraphy, and for adding shading, cross-hatching, or other heavy, dramatic details to any doodles or traditional hand-lettering. 

I absolutely can't wait to show you more, and teach you all how to amp up your brush-lettering with these pens! For now, I hope you'll order some ASAP before they're gone. Word is spreadin' like wild fire ;)

 

Brush Lettering 101 with Level Up Louisville

All photos are by January June Photography

Hey y'all! Today's post is a fun one!!! 

This week I taught an in-person brush lettering class in Lexington, Kentucky, my old college town! I was really excited to be asked to teach by the awesome startup company, Level Up Louisville! 

Level Up Louisville hosts pop-up workshops in Louisville, Kentucky, with 30 classes a month! They are steadily expanding to Lexington, so if you are located in Kentucky, I highly suggest taking a look at their extensive class list, and planning a girls night. The list of workshops they offer is INSANE, and there is truly something there for everyone! (Even a Daddy/Daughter Braiding Class...how cute is that?!)

Let this post serve as a little 'preview' of what you can expect from a future class with Level Up! I will continue teaching with them in the Lexington, KY area! Stay tuned to hear some more details about how the class is structured, where to sign up, and details on how to become a teacher yourself!

Class was held at Ethereal Brewing Co. in an ultra hip part of Lexington. We had our choice of areas to host the class, but we decided the weather was too perfect not to sit outside and enjoy a gorgeous summer evening. 

We had this section of the patio to ourselves, and the buzz from the crowd helped with the fun ambience. With 14 students in attendance, I rotated from table to table, going through the crash course with each table for a more in-depth, one-on-one experience. 

I chose to teach this intro to brush lettering using my favorite brush pens from Tombow, the Dual Brush Pen and the Fudenosuke Soft Tip. 

For the two-hour class, I created an introductory handbook that doubled as a practice guide! I included tracing paper and high-quality cardstock in each packet so students could begin tracing and doing drills before diving into the lettering portion. 

Of the 14 students, only 2 had every used a brush pen before! It was really exciting to see everyone go from 'complete beginner' to 'confident and ready to practice' with their new tools. Those that had lettered before were excellent help at filling in and answering questions when I was with other students. 

Everyone was deep in concentration, focusing on drills and tracing a fancy alphabet. 

I loved answering questions and doing demonstrations with each group of women!

All in all, everyone's favorite pen was the Fudenosuke Soft Tip. I bet I'll be seeing a lot of social media posts using that pen in the coming weeks!

I was totally amazed at this woman's lettering! She was experienced with a brush pen and it showed BIG time. Her work was awesome, and I stopped to admire it every time I passed by!

Lastly, I was so excited to meet Diana of Bright Life Apparel, who has previously commissioned me to design for her line of t-shirts (one of which she is wearing). I'm really excited to see the designs SHE letters now that she has all the tools she needs to begin! Such an exciting night!

If you're interested in signing up for a future Brush Lettering 101 class, I highly recommend you get on their newsletter (signup is on their homepage). Once I schedule more classes with them, I will announce those on my Instagram and weekly newsletter (signup for that is below!). Classes are super affordable and the class sizes are small at about 20 people or less. 

If you're located in Kentucky and have a skill you just know would be a hit with Level Up, reach out to them here. They are incredible to work with, and they make the teaching process so simple and pain-free! 

Want to know more about my Level Up experience, or about teaching a lettering class in general? Drop your question in the comments or e-mail me! I would love to talk with you!